Painting tropinin lacemaker description of the painting. Description of the painting by Tropinin "The Lacemaker

V.A.Tropinin "The Lacemaker":
History of the painting

“The best teacher is nature; you need to surrender to her with all your soul, love her with all your heart, and then the person himself will become cleaner, more moral ... I owe everything to nature. "
These secret words were uttered by one of the most integral and charming, spiritually pure people of that time, the wonderful Russian painter Vasily Andreevich Tropinin. He also worked in the first half of the 19th century.
His fate bears the traces of those hardships, of that yoke, which was called serfdom.
The right to own the life of another, maybe a hundred times better and gifted by nature.

The son of a serf peasant, Vasily Tropinin, experienced many of the "delights" of the way of life at that time. Its owner, the landowner Count Morkov, portrayed a philanthropist.
"Patronized" the fine arts ... He early noticed Vasily's remarkable artistic abilities and decided to send him to study in St. Petersburg at the Academy of Arts.
Young Tropinin finds himself in the studio of the portrait painter S. Shchukin, where he undergoes a fundamental school of drawing and painting. It seemed like a miracle was working ...
But Vasily's ghostly happiness did not last so long, only a few years.
Its owner, Count Morkov, orders the return of his ward. There, in a remote estate, in Little Russia, he appoints Vasily Tropinin as a home painter. That, as you know, was widespread ... But in order for the serf to know his place, the count orders that Vasily, simultaneously with his art, carry the most common, everyday duties of a courtyard. Simply put, servants.
However, this personal drama did not break the talented, already established master. He does not seem to notice the difficult realities ... and writes diligently.

V.A. Tropinin has never been abroad and himself developed his talent by studying nature, living mainly in Little Russia. And his talent and artistic skill were such that many took the portraits of V. Tropinin for the works of Rembrandt, there was so much striking color and power of illumination in them. Graceful female heads brought him the glory of the "Russian Dream". The artist did not correct the nature of the model or embellish it with artificial effects; with every possible care he conveyed the almost elusive features of the person being portrayed. V. Tropinin's poses are natural and varied, the execution is impeccable, and the pictorial effect comes from the striking resemblance to the nature of the model.

In 1823, in the life of V. Tropinin, an event of great importance took place: the serf of Count Morkov, he finally received liberation from slave dependence. It happened on Easter, when "Count Morkov, instead of a red egg, handed V. Tropinin a vacation ticket." But alone, without a son ... Then V. Tropinin was 47 years old, and in the same year he submitted three of his canvases to the Council of the Academy of Arts (for the title of artist), among which was the famous "Lacemaker".

His "The Lacemaker" was written in 1823, in that cherished year when he left the free-standing estate of Count Morkov.
And, overwhelmed with the expectation of happiness, the artist creates a picture that, like a classic, is included in all the best publications devoted to Russian art. It is a masterpiece.
It was she who at the exhibition at the Academy of Arts was especially warmly received by the public and immediately became widely known.

Having become a free man, V. Tropinin could settle in St. Petersburg, but his metropolitan career did not tempt him. “I was all under the command, but again I will have to obey ... then one, then another. No, to Moscow, ”the artist often used to say and settled in his beloved city forever.

With the resettlement to Moscow, a new period of V. Tropinin's work begins, and the most poetic group of paintings here is made up of images of young women at needlework ("Gold Embroidery", "For Sewing", etc.).

Who were all these "Seamstresses", "Lacemakers", "Goldsmiths"? Probably not young ladies of the nobility, out of boredom, engaged in needlework. Were they courtyard girls or Moscow needlewomen? In any case, they all go back to the Ukrainian impressions of the artist, and, perhaps, on his canvases he depicted serf needlewomen working in landowners' workshops.

Such is the "Lacemaker", which became a new phenomenon in the art of painting of that time. V.A. Tropinin created in this work a certain type of genre portrait-painting.

Perhaps the modern viewer will find in the canvas features of a certain sentimentality or a pacified idealization of reality, but Tropinin's muse was characterized by a gentle thoughtfulness. He was not a fighter. His sensitive and pure soul, perhaps, put up with many things.
He honored the beauty of a man of labor. In The Lacemaker, the feeling of inner dignity is touchingly praised, which is preserved without looking at any obstacles in an ugly life.

The pretty face of "The Lacemaker" with a slight smile is affably turned to the viewer, as if she only stopped for a moment, pinning up the pattern with a small hand ... Everything is elastic in this girl: her face, head and hands ... hands, especially the left, not leaning on anything, but stopped in the air with complete certainty. Enchanting beauty shines through in these forms - nothing vague, unsaid, indefinite, vague. "The lacemaker" slyly and shyly casts a glance at us from a century and a half away. In this image of an oppressed, but beautiful peasant woman, there is the perfection of a harmonious sensation of a person's personality, fluid, changeable, swaying like a candle flame, but beautiful.

Tropinin reflected only a moment of being. The dramaturgy of complex and sometimes difficult everyday life, the prose of life - behind the canvas. She is only slightly guessed in a certain constraint in the woman's posture, in the elusive movement of the shoulders of this sweet girl.

By this time, V. Tropinin's shyness and uncertainty of drawing had already disappeared, now only deliberate deviations from nature, and not student's mistakes, are possible for him. He lovingly conveys the objects of his heroine's skill - bobbins and a piece of linen with started lace. Choosing light colors for his "Lacemaker", the artist constantly introduces gray into them. So, in the sleeves of her dress, blue and green shades shimmer against the background of gray, the lilac silk of the kerchief comes to life next to this neutral background, and this iridescent range of lilac-gray tones of the kerchief and gray dress gently caresses the viewer's eyes.

Tropinin's "Lacemaker", like his other needlewomen, was often called the sisters of "poor Lisa" - the heroine of N. Karamzin's story. Published for the first time in 1792 in the "Moscow Journal", this story soon gained such fame, with which only the popularity of Tropinin's "Lacemaker" can be compared. As if anticipating her appearance, N. Karamzin writes about his heroine that she, "sparing her rare beauty, worked day and night." Like Liza, who lives in a hut, but not much like a peasant woman, V. Tropinin's "The Lacemaker" is idealized. But “such a tendency towards reincarnation of young ladies into peasant women (or the discovery of a noble nature in peasant women),” as E.F. Petinova, - this is only one of the characteristic signs of that time, captured by V. Tropinin. "

Depicted at work, "The Lacemaker" smiles coquettishly, and this "idealization" was noted by many art critics. For example, N. Kovalenskaya writes in her research that “the hands of the“ Lacemaker ”are raised with grace, perhaps somewhat deliberate." The graceful turn of her figure, the unhurried gesture of her gentle hands involuntarily suggest that her work is a pleasant game. But if this is a game, then V. Tropinin makes the viewer believe in the naturalness of this game, in the simplicity and modesty of his "Lacemaker".

It is not without reason that P. Svinin, a contemporary of V. Tropinin, noted that “both connoisseurs and non-experts alike are in admiration when looking at this picture, which truly combines all the beauties of pictorial art: the pleasantness of the brush, correct, happy lighting, clear, natural colors. Moreover, the portrait itself reveals the soul of the beauty and that sly glance of curiosity that she threw at someone who entered at that moment. Her hands, bare by the elbow, stopped with her gaze, the work stopped, a sigh escaped from her virgin breast, covered with a muslin handkerchief - and all this is depicted with such truth and simplicity. "

During his long life, Vasily Tropinin created many glorious paintings - portraits, genres. They are good. In many of them, especially in later works, you recognize the familiar images of the Moscow nobles, highlighted by the genius of Griboyedov, Gogol, Turgenev ...

But three portraits: the son, the lacemaker and Pushkin shine like unattainable peaks in his work. They seem to reflect some minutes of the highest insight, when the artist, with the only and already unique ease and freedom, seems to be singing a song given to him by nature. They contain freshness, non-waste of mental strength, the integrity and inviolability of his inner world, love for people, a stock of good.

These canvases show the properties of his nature, broad, true to his vocation, supportive of someone else's misfortune, forgiving many of the hardships of everyday prose.
Tropinin left a trail of his humane and, perhaps, somewhat innocent view of the world to people.

Based on materials
"One hundred great pictures" N.A. Ionin, publishing house "Veche", 2002
"Masters and masterpieces", I. Dolgopolov, 2000

There are paintings that are immediately remembered and sink into the soul with some special quiet beauty and spirituality. This is the painting "The Lacemaker" by the famous Russian artist Vasily Andreyevich Tropinin.

We will tell you about the history of the creation of this work of art, about who is depicted in this portrait, and also give a number of interesting facts from the biography of the painter.

Facts from the biography of V.A.Tropinin

Tropinin's painting "The Lacemaker" is such a perfect and beautiful creation that the audience would not even think of doubting the artist's talent and skill. Meanwhile, Vasily Andreevich Tropinin was born a serf, and there were many obstacles on his way to creativity and freedom. Just think: if the stars were less supportive of this gifted person, then his artistic talent might not have received development.

So, V.A.Tropinin was born in 1776. When the future painter grew up, Count Morkov, who was then his master, sent the boy to Petersburg to study confectionery. But the teenager's talent for drawing manifested itself so clearly that, by the will of fate, he was still able to attend the classrooms of the Academy of Arts. At that happy time, Tropinin met Orest Kiprensky, Alexander Ivanov. There were eminent people who began to intercede with Count Morkov so that he would give the young man freedom. But he, on the contrary, ordered Tropinin to return to take up a servile position.

Vasily Andreevich received freedom only in 1823, at that time he was already 44 years old.

How and when the painting "The Lacemaker" was painted

Immediately after gaining the long-awaited freedom, the artist goes to the city dear to his heart - St. Petersburg. He has a passionate dream of getting a diploma in painter from the Academy of Arts, where he once studied the fine art of painting. In order to demonstrate his skill in front of a strict academic committee, he had to submit several paintings to the court. The painting "The Lacemaker" was among them.

The members of the commission gave the canvas the highest rating. And the diploma of the academician was solemnly presented to Tropinin. The Lacemaker was warmly received by critics. They admired the color scheme, lighting, the artist's ability to convey the character of the model. True, there were also dissatisfied ones who accused Vasily Andreevich of trying to idealize simple work, that the heroine of the picture does not at all look like a peasant girl: her movements are too graceful, and her hands are tender. But these isolated exclamations of criticism were lost against the background of general delight.

Description of the canvas

The painting "The Lacemaker" depicts a sweet young girl bending over her work. She seemed to be distracted for a moment and met the eyes of the viewer who suddenly entered the room. The hands of the young lady, bare almost completely, froze only for a second. It seems that in a moment she will again plunge into work and begin to weave ornate openwork patterns. The lacemaker does not pose - she lives.

"The Lacemaker" is impossible without a story about the amazing appearance of the main character. On the one hand, she is a simple girl. She is wearing the usual outfit of a peasant woman and no adornments. But her face shines, and not only with beauty and friendliness, but also with her mind. And the whole pose of the lacemaker is very graceful. In a word, any noblewoman of those times could have envied such a sweet, refined, and at the same time simple appearance.

The general coloring of the picture, painted in soft, restrained and natural silvery-greenish-olive tones, is very beautiful. All the viewer's attention is immediately riveted to the heroine's face, which seems to glow from within, to her eyes and a barely noticeable smile. Tropinin masterfully painted all the small items: bobbins, part of lace needlework, scissors on the work table, unpretentious items of clothing for the worker. In this work, the painter poeticizes the work and harmony of a simple and honest everyday life.

This is the painting "The Lacemaker". The artist, seeing the love and popularity of his creation among his contemporaries, repeated several times in different versions the story that he and the public loved. Needless to say, after the success of the canvas, Tropinin was literally overwhelmed with numerous orders for painting portraits.

Where can you see "The Lacemaker"

Tropinin's painting "The Lacemaker" today occupies a worthy place among the paintings of the Moscow Tretyakov Gallery in Lavrushensky Lane, at number 10, in the room under the thirteenth number. There are also many other Tropinin portraits and landscapes. The museum receives visitors six days a week, except Monday (day off).

Conclusion

They say that Russian portraiture is famous all over the world for its special poetry and spirituality. The portrait of a lace-maker by Tropinin's brush is one of the most striking confirmation of this.

The portrait "The Lacemaker" was painted in 1823 by the Russian artist V.A. Tropinin. Vasily Andreevich was a serf peasant, which allowed him so easily to portray a woman at work. This work is his most famous.

In the picture we see a girl at work, with a sweet and friendly face. Laughter sparkles in her eyes. It seems that the portrait was not drawn with the setting, but that the moment of the work was captured and the girl is a little embarrassed that she is being painted. We can imagine that she is adding lace to the shawl of her hostess, who will receive guests in the evening. Most likely, the girl works in her small room, which contains a bed and this machine.

The peasant woman is dressed in simple but neat clothes. The dress she wears is green, which emphasizes her purity and spiritual simplicity. The shoulders are covered with a plain white cloth. Her hair is tied in a low bun so it doesn't get in the way of her work. But some curls are knocked out, which adds to her special charm and playfulness. The wrists are very graceful, they show the skill that she honed in weaving lace. The girl from the portrait disposes to herself. The peasant woman occupies a central place in the picture and it is impossible to take your eyes off her natural beauty.

In addition to the girl, all other items are detailed. These are bobbins on a piece of fabric, which are similar to the color of her hair, and miniature scissors, located at the edge of the table. All these were done, make the image of the lace-maker complete. As if they let you take a look at her work for a minute. It can be seen that the girl is doing her job well.

The lighting is also perfect. We dare to assume that behind the girl there is a large window or balcony that illuminates her with sunlight. The light is directed towards her hand and the woven fabric.

It can be seen that the work of a peasant woman is not easy, but she likes it. The picture is filled with special warmth, the atmosphere of that time is conveyed with the help of a reliable everyday environment. The picture was painted in warm shades in order to convey the warmth not only of this house, but also the character of all the peasants, one of whom was the author of the portrait, until he received his freedom from his owner.

This painting gave rise to a new direction in drawing portraits - portrait-type. This is when a certain type of estate is depicted.

Mysterious gaze of "The Lacemaker" Tropinin

The painting "The Lacemaker" by Vasily Andreyevich Tropinin can be called one of the favorite masterpieces of Russian painting. It was created in 1847 and belongs to genre portraits, that is, it is not just an image of a person, but a small scene from life. The girl weaves lace, was momentarily distracted from her work and looked up at the artist. This very moment is captured on the canvas. It seems to the viewer that the cheerful lace-maker is smilingly looking at him.

The portrait is beautiful, but its history is also interesting. The fact is that Vasily Tropinin was a serf. And only when he turned 47 years old, its owner decided to give him freedom. The talented painter became free, but he still needed to prove that he was an artist in order to receive this title from the Petersburg Academy of Arts. He submitted three paintings to the commission for consideration, one of them was "The Lacemaker" - a portrait of an unknown craftswoman, a young, beautiful, modest girl.

Russian lace has always been valued literally worth its weight in gold, lace weaving is a difficult craft that requires care, skill, and perseverance. The girl performs this difficult daily work with ease and love, she is familiar and pleasant to her.

The working part of the machine is raised and facing the craftswoman, so the viewer practically does not see the results of her labor, but you can clearly see the tool she is holding in her hand. This bobbin. A lace maker should have a lot of them, the more bobbins, the wider and more refined the lace. We see that there is a whole bunch of bobbins on the machine, which testifies to the high level of craftsmanship of the craftsman.

If you look carefully, at the bottom of the picture you can see a fragment of a lace ribbon, thin, almost transparent - this is the lace that is literally created by a skilled craftswoman before our eyes. Scissors are neatly painted on the table in the foreground. All of the details emphasize that the workplace is tidy.

Lace-makers, beautiful fingers, short-cropped nails draw on themselves. The usual work gestures are graceful, even flirtatious, so a girl could hold a piece of chocolate (if she knew about its existence), and not a working tool. The left arm, which is bare to the shoulder, is well lit to enhance its beauty. A soft beam of light illuminates the lacemaker's face, revealing its noble features. A girl from the people may be even more beautiful than a representative of a wealthy family, the artist wants to say.

Connoisseurs and specialists highly appreciate the light in the picture. The light flows in a soft stream, illuminates the center of the canvas, gives a special charm to the color. Color is a range of colors, we see that the artist chose dim colors, close to gray, but in the picture they look beautiful, juicy, even solemn.

In terms of the transmission of daylight flux, Tropinin can be compared with the Dutch artist Vermeer. Vermeer became famous for his ability to convey a ray of daylight falling on the faces of people who are busy with their daily activities. We see that the Russian painter copes with this task brilliantly.

A little mischievous and mysterious gaze of the lacemaker, illuminated by a ray, gives the picture a joyful, romantic mood. These advantages make the portrait of an unknown girl one of the most beloved paintings of Russian fine art.

The canvas "The Lacemaker" is one of the most famous paintings by VA Tropinin. It was written in 1823, the year the 47-year-old serf artist received his freedom. "The Lacemaker" was warmly received by both critics and the public, and became a great phenomenon in Russian painting art.

Before us is a new type of genre portrait, it is dedicated to the image of the toiler and her painstaking work. Tropinin captured a moment in the life of a young serf girl doing needlework.

The pretty face of the needlewoman, who interrupted for a moment her occupation to look at the newcomer, was affable and friendly. The whole appearance of the girl seems to say that work is not at all a burden to her.

The painting "The Lacemaker" fully revealed Tropinin's pictorial talent. We see a confident drawing, competent lighting, natural color. For his heroine, the artist chooses light colors, introducing silver and lilac-gray shades into them. Carefully and with love, the painter writes out the items of the needlewoman's skill - bobbins and part of the lace fabric.

The artist idealizes his heroine, making her look little like a peasant woman. It may seem that her hands are too gentle, coquetry is read in her eyes, and her movements are deliberately graceful. But the artist makes the viewer believe in the simplicity and modesty of the girl, in the nobility of her nature. The prose of harsh everyday life remains behind the canvas, but it is, of course, guessed by the viewer - in the timid movement of the shoulders, in some constraint in the posture of a young peasant woman.

In his painting, V.A. Tropinin praises the harmony and a sense of inner dignity inherent in a person of labor and preserved by him throughout his life, regardless of any conditions of an ugly life.

In addition to the description of the painting by V. A. Tropinin "The Lacemaker", our site contains many other descriptions of paintings by various artists, which can be used both in preparation for writing an essay on the picture, and simply for a more complete acquaintance with the work of famous masters of the past.